I looked at the painting in the mirror, as I often do, and it just worked! There were so many details that I wanted to straighten out, but I was afraid to continue because the painting was working as a whole.

I have been working on this rescued painting for a little over a week. It has been a nice process. I haven’t gotten uptight about it and have proceeded freely, with a sense of experimentation and have been pleased with the results. The last thing to tackle was the sky. The blue needed to be unified and even though I liked the play of shapes in the clouds, they felt, and to some extent still feel, contrived. (Anne informed me, as went out, that they look like floating turds.)

Today is a beautiful spring day. It is about the same time of year as when I took the original photo and started the reference painting. The clouds today are like the ones I wanted to paint, so that is auspicious, but when I finished with the blue I had to stop. I looked at the painting in the mirror, as I often do, and it just worked! There were so many details that I wanted to straighten out, but I was afraid to continue because the painting was working as a whole. Any little change could take away from that magic.

I think that I will have to forge ahead and trust that I will be able to keep the “whole” in mind while I adjust the details. Still, I had to at least stop for a little while, take this photo and write about what was going on. Have you had similar painting experiences? Let me know. Also visit again and tell me if you think I was able to finish work on the details without losing the overall light and unity of the painting at this moment.